Louisa Dusinberre came to Paris from London in the 1980's and started to paint in the mid-nineties after a career in communication. Her show here chez Grace opens this week and is so named because the subjects of her canvasses are her kitchen and those of her friends, her own studio, and her husband's collection of tea tins and pots.
Louisa also does portrait work - she paints her friends and her husband, her mother's garden in the south of England and the details of where they live.
Now that her paintings are hung, I understand more where she is coming from. She wanted, in her own words, "to bring to the viewer an emotive understanding of her environment." And her canvasses have a glowy warmth that is like a swallow of a very nice Cognac.
The first two shows of hers which I saw (at the Visconti Gallery in the 6th arrondissement and Artstarte in 7th) were of outsize people, children and pets (the two Yorkshire terriers of a mutual friend).And so infatuated was I with a portrait she did of her mother, and also a self-portrait she did (very dark!) I sat for Louisa who produced a painting that I am very fond of and which will make its public debut at her opening here. (See "Lady of a Portrait," an earlier post.)
Pictured: "Fetish Kitchen II," 2005, acrylic on canvas, 80 cm. x 100 cm. €500.